Posted by: bofe | June 12, 2006

All in the Key

Scott made a mention about me pointing out some musical geekery in a Head Automatica song. I’ve done it before on this site, and I’ll do it again. Here’s a post with popular music samples that have key changes. Audio samples were created with Audacity

Wikipedia gets a little hairy on their definition of what’s happening. Speaking in the most basic terms I can, a key change is when the pitch “base” that a song uses changes somehow, rises or falls. A mode change is when the mood of the song changes from happy to sad. I don’t really know too much more about modes of songs… so I’ll leave that to the professionals.

For the guitar players out there… think about it like this: playing Smells Like Teen Spirit (the easiest song ever) —- then slapping a capo onto the 4th fret and playing Smells like Teen spirit again. The notes are the same distance apart, but you’re using a higher pitched “base” with the capo.

There’s something I miss about Murray—not being around the musical geniuses.

The key changes:

  • Head Automatica – Beating Heart Baby – this is one that just slaps you in the face. You’re officially tone deaf if you can’t hear the change. The chorus in one key is played, then the key changes and the chorus is done again.

  • System of a Down – Streamline – this one happens right at the end of the song. I can’t remember the term, but there is actually a term for what they do at the end of this song. I think this one is just a mode change.

  • The grandaddy – Kyle’s Mom is a Stupid Bitch (from the south park movie). This is just a little over one minute long but the key goes up a half step each verse. This song quickly escalates the South Park: Bigger, Longer, Uncut drinking game to the next level.

Responses

Hey. I’m Ben… I googled up looking for the spiral graph for Lateralus, and I came across your thing here… I read the thing about the key changes and the way they do is called Diatonic-thirds… its the intervals that are between the notes that can be alternated to still fit the original melody, but be in a different key… you can also use the Diatonic rules for finding harmonies ( which I fuckin love )… good to see someone out there is actually interested in song structure and music theory besides myself though… none of my friends care about it and think I read way too much into music, so i guess “thanks” for making me feel like I’m not some overanalytical nerd… later

oh yeah, and check out “Thank God It’s Monday” from NOFX… the even say “gimme another key” right when the change comes… its pretty fresh

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